Camera Emulation
Canon EOS Picture Styles
For every Canon camera that supports .pf3 Picture Styles and Canon Digital Photo Professional
Gallery - JPEG images made with a Canon EOS M6 Mark II

HIGHLIGHTS
Fine-Tuned for Accuracy
Color was extracted with all modifiers neutralized and white balance set to a known reference, giving you a clean and consistent baseline across all simulations.
Wide Camera Compatibility
Compatible with any Canon EOS camera that supports Picture Styles and with Canon Digital Photo Professional software.
Create your own SOOC recipes
Canon's built-in Picture Style modifiers let you layer your own adjustments on top of the emulation directly on the camera, building personal JPEG recipes without touching a computer.
In-Camera JPEG Recipes
Apply the look straight in-camera and shoot JPEG with confidence, using Canon's Picture Style modifiers to fine-tune the result to your taste.
Raw File Processing
Use the Picture Styles in Canon Digital Photo Professional to apply FujiFilm-inspired color to your raw files at the processing stage.
Built from Real SOOC Color
Every style was extracted directly from FujiFilm X100VI JPEG output under controlled conditions, ensuring an accurate and faithful starting point.
SOOC Emulations for DaVinci Resolve
For every Canon camera that supports .pf3 Picture Styles and Canon Digital Photo Professional
HIGHLIGHTS
SOOC Color for Any Video Camera
Apply SOOC color to any footage supported by the Color Space Transform plugin in DaVinci Resolve, regardless of the camera you shoot with.
Ready-to-Use PowerGrade
The supplied PowerGrade handles all color space routing automatically, so you can focus on the creative side of your grade rather than the technical setup.
Scene-Linear Workflow
Built around DaVinci Wide Gamut and Intermediate Gamma, the emulation sits cleanly in a scene-linear pipeline and responds predictably to further adjustments in contrast, saturation, and tone.
SOOC Color, Scientifically Extracted
Every source camera JPEG output was extracted under controlled conditions, with all modifiers neutralized and white balance set to a known D50 reference.
Extended Dynamic Range
DaVinci Resolve compresses dynamic range better than Adobe Camera Raw, making it easier to recover highlight and shadow detail with ease.
SDR and HDR Compatible
Works across SDR and HDR color grading workflows, in any color space and gamma timeline combination, making it a versatile tool regardless of your delivery target.
Samples
DaVinci Resolve sRGB default rendering vs SOOC Emulation
Click camera model to expand.
Contemporary CMOS
The Fujifilm X100VI features Film Simulations that replicate classic chemical film stocks. They allow you to get beautifully processed JPEGs straight out of the camera without needing color correction.

PROVIA

Classic Chrome

Pro Neg Std

ETERNA

ACROS+G

VELVIA

Reala Ace

Classic Neg

Bleach Bypass

ACROS+R

ASTIA

Pro Neg Hi

Nostalgic Neg

ACROS

ACROS+Ye
The Ricoh GR III is famous for its in-camera JPEGs. To get the most out of your colors, skip standard modes and use the Positive Film (for punchy, vivid contrast) or Negative Film (for moody, film-like color) profiles.

Standard

Soft Monotone

Negative Film

Retro

Vivid

Hard Monotone

Positive Film

HDR Tone

Monotone

High Contrast

Bleach Bypass

Cross Processing
Classic CMOS
The Canon 5D Classic’s (5DC) Straight-Out-of-Camera (SOOC) color is widely celebrated for its organic, film-like warmth and cinematic rendering. Its DIGIC II processor and early CMOS sensor lean into rich, natural tones and flattering skin reproduction, rarely requiring heavy editing to achieve a distinctly authentic look.

Standard

Neutral

Portrait

Faithful

Landscape

Monochrome
Straight out of the camera, the Nikon D700 delivers a highly sought-after, film-like aesthetic characterized by deep, organic contrast and distinct vintage warmth, particularly emphasizing rich reds and yellows that emulate older CCD sensors.

Standard

Monochrome

D2X Mode 3

Neutral

D2X Mode 1

Portrait

Vivid

D2X Mode 2

Landscape
Classic CCD
The Konica Minolta Maxxum/Dynax 5D, renowned for its unique color science, features a 6.1-megapixel Sony CCD sensor. Released in 2005, it was one of the last cameras before Sony acquired the brand. Its color profiles were engineered by a team of Konica film emulsion scientists and Minolta color measurement experts.

Natural

Landscape

Night Portrait

Natural +

Sunset

B&W

Portrait

Night View

Adobe RGB
The Olympus E-400 delivers a legendary, film-like aesthetic because it utilizes the final Kodak CCD sensor found in Olympus DSLRs. This hardware yields dense, highly saturated blues and greens reminiscent of classic Kodak film stocks, wrapped in a deep, organic contrast that makes straight-out-of-camera (SOOC) JPEGs incredibly punchy.

Vivid

Monotone

Natural

Sepia

Muted

Pristine Matching Accuracy
Average DeltaE across all simulations rarely goes above 1.50. The threshold of 2.0 is widely considered excellent in color accuracy evaluation. DeltaE measures the perceptual difference between a target color and a reproduced one, meaning that values in this range correspond to differences that are at most barely perceptible to the human eye under close inspection.
Cross-Camera SOOC DNG profiles for Adobe Camera Raw (coming soon)
Exchange SOOC color profiles between multiple cameras
FAQs
If you want to see Alchemy Color Emulations applied to your images, send us a raw sample from a supported camera through any file delivery service and email us at info@alchemycolor.com. We’ll get back to you with edited samples in TIFF format for review.
Alchemy Color SOOC Emulations are compatible with Lightroom, Photoshop, DaVinci Resolve, and Canon Digital Photo Professional.













